The World of Gerard van Oost and Oludara

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Tupinambas

In “A Parlous Battle”, Gerard and Oludara meet a tribe of natives called Tupinambás, coastal Brazilian natives who spoke Tupi.

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Tupinambá warrior (Source: Wikimedia Commons)

The word “Tupinambá” was often used in a more general sense, referring to multiple nations of Tupi, but the true Tupinambás inhabited several rivers and a coastal area that ranged from the mouth of São Francisco River (which now divides two Brazilian states called Alagoas and Sergipe) all the way to Ilhéus, a city in the southern coastal region of Bahia. The legendary Caramuru became a Tupinambá chief in this region after his shipwreck. The Tupinambás were traditional enemies of the Tupiniquis.

Thousands of Tupinambás were catechized by the Jesuits and settled in villages near Salvador. Other tribes moved to the backlands and some immigrated all the way to the coast of Maranhão, over a thousand kilometers away.

The Tupinambás lived in villages formed from massive longhouses, each measuring up to one hundred meters long and five meters high. Each longhouse housed dozens of families, each with their hammocks surrounding a fire. It was normal for a village to have from three hundred to a thousand inhabitants. The longhouses were built around a yard: a clearing for meetings, parties, and other events. Often, the natives surrounded the village with a wattle-and-daub palisade, complete with arrow holes, and a wooden fence.

Each longhouse had its own chief. The chiefs would gather in the courtyard to discuss village issues. In times of war, the village could choose a single leader, usually a great warrior, to coordinate their armies. The spiritual leaders of Tupinambás, known as pajés, practiced medicine and communicated with the spirits for prophecies, requests, and to drive away evil spirits.

The Tupinambás did not wear clothes, but adorned their bodies with red and yellow feathers, and pierced their lips and cheeks with colored stones. Some wore earrings and necklaces made from shells, and men shaved the top of their heads, leaving a “crown” of hair much like the tonsure of European monks. The women left their hair long.

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Tupinambás in a sixteenth century engraving (Source: Wikimedia Commons)

Women worked in the planting and harvesting of food, processing flour, raising children, and producing goods such as baskets and cloth. The men hunted and fished, cleared fields for planting, collected firewood, manufactured canoes, and participated in war expeditions.

Marriage between Tupinambás prioritized avuncular marriage (maternal uncle with niece), or between cousins, but required the young man to pass tests, the main one being to capture a enemy warrior for sacrifice.

The Tupinambás had no economy; they lived by collecting and hunting only to fill their needs. Each family had its own field of cassava, the staple of their diet, supplemented by fish and meat from hunting. Other common agricultural products included corn, fruit, pumpkins, beans, tobacco, and cotton. After the arrival of the Europeans, barter became a common practice. They exchanged food and labor for hooks, knives and other goods.

The Tupi nations warred frequently, often traveling weeks or even months to raid their enemies. Invaders used canoes to navigate rivers and carried dried cassava flour as rations. Captured enemies were killed, roasted, and eaten in ceremonies meant to honor their bravery. The main weapon of the Tupinambás, for both war and for hunting, was the bow and arrow, a weapon which they handled with great skill. In war, some used wicker shields and wooden swords or maces.

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Hans Staden observing a cannibalism ritual, where the Indians ate human parts in hopes of acquiring their skills and strength. (Source: Wikimedia Commons)

The Tupinambás were great lovers of music, singing songs to the sound of drums and maracas while dancing.

Another group of Tupinambás, the Tamoios, populated the region near the Guanabara Bay and Cabo Frio until their massacre in the war of the Tamoio Confederation (1556-1567). They received the nickname “Tamoyo” (“grandfather” in Tupi), for being the first Tupi people to conquer land on the coast, centuries before the Portuguese colonization.

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“The Last Tamoio”, work from 1883 depicting the extermination of the Tamoios (Source: Wikimedia Commons)

We know a lot about the Tupinambás today thanks to European chroniclers of the time. Among them were: Sousa Soares, Hans Staden, Pero de Magalhaes of Gandavo and Fernão Cardim. In addition to these, two great twentieth century anthropologists, wrote books on the Tupinambás: “The Social Organization of Tupinambás” by Florestan Fernandes and “La Religion des Tupinamba” by Alfred Metraux.

Tupi

In “A Parlous Battle”, Gerard and Oludara meet a tribe of natives called Tupinambás. The language used by them, Tupi, was the most common language of Brazilian coastal tribes at the time of European colonization. The native nations who spoke Tupi included: Tupinambás, Tupiniquins, Tabajaras, Potiguares, Caetes, Tupinaés, Tamoios and Temiminos. The word “Tupi” can also be used to refer to these peoples.

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Map of indigenous people in the Brazilian coast – about 1575.

This language, now known as Old Tupi, is part of a set of language families of South American indigenous peoples known as “Macro-Tupi”. Languages englobed by this linguistic branch include: Ariquem, Aueti, Juruna, Maue, Monde, Mundurucu, Purubora, Ramarrama, Tupari, and Guarani.

A version of Tupi has become the lingua franca (language adopted for the communication of multilingual groups, usually for commercial, diplomatic, and administrative reasons) from the arrival of the first settlers in the early 1500s until 1758, when a law appointed Portuguese as the official language. However, this lingua franca gave rise to nheengatu (“good talks” in Tupi), a dialect still spoken in parts of the Amazon region.

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Cunhambebe, the great chief of the Tamoios.

Old Tupi became extinct hundreds of years ago. However, thanks to linguists such as Eduardo de Almeida Navarro, the language has been recovered. It is even being reintroduced to communities formed by descendants of the original tribes.

In Brazil, the influence of the language remains prevalent. Many Portuguese terms and thousands of geographic locations come directly from Old Tupi. While most Brazilians don’t understand the underlying meanings of many of these terms, Old Tupi has nevertheless had an undeniable influence on the nation’s cultural and linguistic identity. This influence has had a great deal to do with the difference between Brazilian and Portuguese, even explaining such things as the Brazilian preference for the gerund, a construction rarely used in Portugal.

In 1999, linguists worked with the actors in the film Hans Staden to authentically recreate Old Tupi. Watching this movie is a great way to hear how it once sounded.

Harquebus

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Sixteenth-century harquebus (source: Museu Histórico Nacional – Brazil)

The harquebus, invented around the year 1440, was a type of early firearm used from the fifteenth to the seventeenth century, when it was replaced by the musket. The weapon consisted of a metal tube adapted to a wooden stock, and had a weight, on average, of five kilograms. Ammunition consisted of muzzle-loaded, spherical lead bullets. There was no standard bore size in the sixteenth century, so sizes vary, but from at least one sixteenth-century source (1512) we can calculate bullet sizes of 15 millimeters in diameter and 20 grams (60 caliber).

The simplest models used a matchlock mechanism for firing, which actioned a lever to drop a lit match into the flash pan (which held the gunpowder). More sophisticated, sixteenth-century models used wheellock, snaplock, or snaphaunce mechanisms to generate sparks, which alleviated the need of lighting a match before shooting (and the related problems of moisture and rain).

Although harquebuses were small enough to be fired from the shoulder, their weight and the smoothbore tube made it extremely difficult to fire accuratley in this fashion. Thus, most shooters used a fork to support the weapon. This fork was often attached to the gun in such a way that it could be folded and unfolded as needed.

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A matchlock harquebus fired from a supporting fork (source: archives of Pearson Scott Foresman, released to public domain through )

Being a portable weapon, the arquebusiers could be grouped into movable masses of firepower. Harquebus fire could reach several hundred meters, but it was difficult to hit anything farther than about one hundred and fifty meters.

The harquebus was typically a smoothbore weapon, which made it highly inaccurate, but Augustus Kotter of Nuremberg developed the technique of spiraled grooves known as “rifling” in 1520. This technique, although not widely used until the nineteenth century, was applied to some harquebuses (such as Gerard’s), greatly increasing their accuracy.

That’s why, in “The Fortuitous Meeting”, Gerard mentions, “I’m one of the best harquebus shots you’ll ever meet”. Besides his long hours of practice, he most certainly had at his disposal one of the best firearms in all of Brazil!

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“Gerard’s Harquebus” by SulaMoon

Madre de Dios shipwreck, The

In “The Fortuitous Meeting”, Piraju tells Gerard:

“I am called Piraju, but long ago I was known as Miguel.  I was a sailor on the Spanish carrack Madre de Dios, which shipwrecked here in the Bay of All Saints in 1535. Most who survived the wreck were killed by the Indians, but some twenty of us were taken prisoner, to be used in one of their cannibalistic feasts. Just as they prepared to cook us, Caramuru arrived and convinced them to set us free. Most of my shipmates eventually returned to Spain, but Caramuru’s daughters with the Indian princess Paraguacu were the most beautiful women I had ever laid eyes on, so I convinced one of them to marry me and I joined the tribe.”

The carrack Madre de Dios did indeed shipwreck off the coast of Brazil in 1535, on the island of Boipeba.  Over 100 of the 110 sailors made it to shore, but most of them were massacred by Tumpinambá natives.  Seventeen escaped on on a small boat to the nearby Tinharé Island.  There they were captured by other natives and would have been slain if not for the arrival of the famous Caramuru, who convinced the natives to let them go.

Shipwreck by Joseph Vernet

A famous legend arose from this event, that Caramuru went seeking the survivors because his wife Paraguaçu dreamt of a shipwreck.  In her vision, she saw a shipwreck of many men, dead or exhausted, and among them a single woman carrying a child.  Caramuru discovered the shipwreck and found only men, but inside the wreckage he recovered a statue of the Virgin Mary with child, the very own “Madre de Dios” his wife had seen in her vision.

Painting by Manuel Lopes Rodrigues representing Paraguaçu’s vision

Whatever the case, Caramuru rescued the survivors, and while most returned to Spain, four of them remained to live with him and his tribe in Bahia.  The Holy Roman Emporer Charles V wrote a letter to Caramuru thanking him for the aid given to the survivors.